After graduating from Media Production in 2014 I immediately worked as a Runner for eight months in London at various Reality TV post-production companies.I had aspirations to become an Editor by working my way up the ladder. I did a lot of shadowing with Edit Assistants, Editors and Producers in the very little spare time I had.Imagining looking back in five years and not being proud of the path I took or the work I had created, I decided that I wanted to work on films I could call art and be proud of. The long shifts at awkward times make it difficult to have a social life outside of work and it was even harder to be creative. On a personal level that made me lose a lot of spirit.
Before I graduated I worked as a Production Assistant for Quandary Productions on their feature film Time and Place (2014). This film was released during my time in London. What Quandary did with their inspirations, technique and limited budget was amazing and it got me thinking that I didn’t need to work my way up anywhere to create films I am proud of. Continue reading →
One of our creative media mentors is 2009 alumnus Michael Henry at Quandary Productions who’ll be at ‘Meet the Graduates’ network event this Wednesday to share advice about indie filmmaking and opportunities. Timely because he’s just completed the final cut on his latest film ‘Time and Place‘ (2014). There will be a free public screening on 1st November in Lincoln (UK) and the film will be released with ‘Pay-What-You-Want’ On Demand. The production team said ‘it’s the best thing we’ve ever made’. Mike said he’s excited in his latest posting:
Finally, the time has come! After months of hard work ‘TIME AND PLACE’ is finalised, exported, and sent off for DVD batch production. We premiere the film in one week, crowdfunders can expect their DVDs a day or two earlier next week, and we’re very excited about the ‘Pay-What-You-Want’ release on November 1st – same date as the free screening at The Collection in Lincoln. ‘TIME AND PLACE‘ took a good nine months to write, three to shoot, seven months of editing and will no doubt be months before I consider it entirely over, once all the promotion is done and festival fates are sealed. We’re trying something a little different this time – audience members will have the choice of how much they pay to see the film. So what’s different about our On Demand release? Continue reading →